As you know, due to various reasons, lately I’ve been doing solar imaging almost exclusively, focusing on full disk observations. Of the many filters I have turned towards the Sun — some dedicated solar filters, some more in a hacker spirit –, the Calcium K wavelength is one of my favorites, obviously. Now that Baader started selling its generation ii CaK filter, I figured I’d test it against itself, the first generation, and against Lunt’s Calcium module.
UPDATE 2024: in the meanwhile I tested Altair Astro’s early bird sample of Calcium K 3nm, against Antlia’s 3nm CaK, and got a B1800 Lunt CaK (btw fuck Bresser for wasting my time, for the second time in a row regarding Lunt products), to deploy in a long, f/11 tube and protected by a full aperture ERF (from Altair), to do full disk solar with chromosphere and all.
As you also know, I record images as a hobby, without any specific scientific goal, I just like the rigor and if some aesthetics can arise from it, in the form of nice solar disk images in this case.
TLDR0: not much difference, but still.
TLDR1: if doing full disk, if you have the old CaK and like it — keep it and your setup the way it is, the new filter is nice, the profile is standard, but overall, doesn’t show anything new nor better than the old one. Both are that good. Obviously not as good as Lunt’s CaK, but they are a fair competition, given the price range.
TLDR2: if you have the Venus U filter, do use it. It’s not as good for the Sun’s active regions as the CaK, but still pretty good. Also, give the dark blue a chance. Or basically any filter you own.
TLDR3: for Venus, the new filter may yield better images, due to it letting through about two times more light (half the expo time). I like very much the CaK images I obtained of Venus, in the 2020 epic season.
Setup, conditions
In the ersatz-obsi, on 2023-03-19, I went with my usual setup, with the 1.25″ filterwheel containing: Baader’s Solar Continuum 7.5nm, Baader’s Calcium K generation II, Baader’s old Calcium K generation I (the double stacked, high cell version), a UV/IR cut filter, and Baader’s Venus U filter. On other days, since they were there, to see against the Continuum, I also had a ZWO Ha 7nm cell, ZWO’s DouBand, and even Optolong’s L-eXtreme (out of curiosity, since they were in the wheel at the time) — I included some pictures from earlier too.
EQ3-mod, mountpusher, Baader Astrosolar ND3.8 Film (brand new), TS-Optics 76/342 TS76EDPH, automated filter wheel, ASI 178MM (cooled)
For the Lunt CaK module, a different tube was used, EQ3-mod, mountpusher, Sharpstar 60/330 ED-APO, Lunt CaK B600 LS6CAKMDS2, a barlow’s lens part, ASI 178MM (cooled)
I wanted to give a fair chance to all filters, while checking that the atmospheric conditions remain fairly the same — this is why I dropped 2023-03-18’s data from the comparison. Even though there were some cirrus clouds, resulting in some of the raw material’s discarding, there was plenty of the 2.5 TB obtained in about 3 hours, including some Lunt Ha images, not exposed here.
Goals, methods
To bring out the best from Baader’s two CaK filters, compare them against each other, against other filters, and see how they fare against Lunt’s Calcium Module. Even though Lunt’s CaK, even the B600, is more expensive than all the other filters put together, it’s still meaningful to see how all fare.
To compare Baader’s filters, I maintained the same tube, the same solar film, and only adjusted the focus. To honor John Cage, I record 4’33” long ser videos, maximum framerate possible. The exposure time resulting from the setup is usually on the order of milliseconds, as shown in the camera CSVs posted below, trying to maintain about 90% histogram coverage. Focusing is always a bit tricky, but the electronic microfocuser I built allows a perfectly steady focusing, a slight displacement of a few pixels happens when the direction of the focusing changes.
Due to the ersatz nature, the polar alignment is approximate at best, so an autoguider is keeping the Sun in the middle of the field of view of the camera, but also allowing for some dithering.
I didn’t check for reflections. I know the old one had a ghost image, also the glass layers are tilted against each other, but I also knew the ghost image can be ignored for most intents and purposes. I once caught a fairly bright solar prominence with the old CaK filter, so it is possible — that’s when the ghost image became important, but the Lunt also suffers from this.
I also didn’t check longer focal ratios. I have some DSLR pictures from quite a few years back, taken with the old filter, obviously, through a MC102/1300.
First notes
(0) On the previous day I concluded that the old one performs better. But I also concluded that one observation is no observation and wanted to repeat, accounting for the changes in seeing. And yes, it was a drastic change in the seeing.
(1) The new CaK cell needs only half of the exposure time, give or take.
(2) It is really hard to see any difference, at all, on the live image. Like really. I thought it was my memory playing games, then decided to put in the old one, next to the new filter, to see with my own eyes. There really is no difference.
(3) I still like it. I already have my filter wheel adapted, with a T2 washer, to make sure the higher-than-normal filter frame fits into the wheel, and it worked like a charm, so no advantage here with the normal filter frame profile.
S7C | CaK genII | CaK old |
[ZWO ASI178MM] Pan=554 Tilt=0 Output Format=SER file (*.ser) Binning=1 Capture Area=2080×2080 Colour Space=MONO16 Temperature=21.3 Hardware Binning=On High Speed Mode=On Turbo USB=60(Auto) Flip=None Frame Rate Limit=Maximum Gain=0 Exposure=0.004323 Timestamp Frames=Off Brightness=0 Auto Exp Max Gain=255 Auto Exp Max Exp M S=30000 Auto Exp Target Brightness=100 Banding Threshold=35 Banding Suppression=0 Apply Flat=None Subtract Dark=None #Black Point Display Black Point=0 #MidTone Point Display MidTone Point=0.5 #White Point Display White Point=1 Notes= TimeStamp=2023-03-19T11:38:50.5779018Z SharpCapVersion=3.2.6421.0 |
[ZWO ASI178MM] Pan=554 Tilt=0 Output Format=SER file (*.ser) Binning=1 Capture Area=2080×2080 Colour Space=MONO16 Temperature=21.7 Hardware Binning=On High Speed Mode=On Turbo USB=60(Auto) Flip=None Frame Rate Limit=Maximum Gain=0 Exposure=0.002607 Timestamp Frames=Off Brightness=0 Auto Exp Max Gain=255 Auto Exp Max Exp M S=30000 Auto Exp Target Brightness=100 Banding Threshold=35 Banding Suppression=0 Apply Flat=None Subtract Dark=None #Black Point Display Black Point=0 #MidTone Point Display MidTone Point=0.5 #White Point Display White Point=1 Notes= TimeStamp=2023-03-19T12:18:03.7995010Z SharpCapVersion=3.2.6421.0 |
[ZWO ASI178MM] Pan=554 Tilt=0 Output Format=SER file (*.ser) Binning=1 Capture Area=2080×2080 Colour Space=MONO16 Temperature=20.7 Hardware Binning=On High Speed Mode=On Turbo USB=60(Auto) Flip=None Frame Rate Limit=Maximum Gain=0 Exposure=0.004482 Timestamp Frames=Off Brightness=0 Auto Exp Max Gain=255 Auto Exp Max Exp M S=30000 Auto Exp Target Brightness=100 Banding Threshold=35 Banding Suppression=0 Apply Flat=None Subtract Dark=None #Black Point Display Black Point=0 #MidTone Point Display MidTone Point=0.5 #White Point Display White Point=1 Notes= TimeStamp=2023-03-19T12:27:52.8165084Z SharpCapVersion=3.2.6421.0 |
Processing
My workflow includes the several gigabytes, usually around 5-10k frames, of which AutoStakkert 3 selects the 500 best frames, and stacks them. I usually go with around 200-1000 alignment points, as the seeing indicates the resolution vs pixel noise, mostly by gut feelings. Since I take many 4’33” recordings, and the Sun itself produces some white noise like „pixelnoise”, also visible in the SDO frames at 1600 and 1700 Å, stacking together the individual result-frames of individual videos, usually results in a smoother image, sometimes desirable, sometimes not (as it looks really unnatural), from an artistic point of view. Wavelets are adjusted in Registax 6, then photo editing — omitted here for today’s Baader CaK, not even rotated into the Sun’s equatorial plane. As they popped out of the camera, mostly Earth’s horizontal grid, with zenith flipping.
To emphasize the active regions, I obtain the „brighter than their context” areas by subtracting a large radius median from the original frame, and adding the resulting „cracks” to the original frame. This is different than sharpening, as the lights don’t rob light from the surrounding pixels, so they don’t get darker.
The end result
I honestly don’t see much difference.
Maybe there is, or would be, at higher f ratios, maybe. Since both filters perform in the very same scope, safety film etc, and I couldn’t find a high focal ratio requirement in either’s description (compare that to the Sundancer Hα). Baader’s site does mention that mirrors are preferred, OK… What I can tell is that this APO tube blows my Canon tele lens out of the water, runs circles around it, and eats it for breakfast, as far as blue and UV are concerned. Been there, done that. I wouldn’t worry about the quality of my APO refractor. I may repeat the test with my N 150/750 tube, same filterwheel, but I am simply not interested in disk details at this point — it’s clumsy to set up the newton in the ersatz-obsi, and to obtain a full disk without coma errors and distortions, onto a really large sensor, the question of the coma corrector’s (also Baader, I mean…) UV performance, it just leads too far into areas I don’t really care about.
Also, the Venus U perform similarly, though much harder to image due to both camera sensitivity, atmospheric seeing and … the glass is glass, after all.
Also, with careful processing, even deep blue and the Solar Continuum shows the active regions, and though really hard, bordering on PITA, the continuum-Hα (meant for night time, nebuale) also shows the same active regions (and even prominences, their presence, not beauty).
And below a series from 2022-06-18, depicting the Sun through various filters, all processed for aesthetic purposes.